Immer #2.5

Becoming one, diving, immersing oneself into the universe of images, feeling its fluidity and evanescence, a mirror of the atmosphere where air, Earth and bodies are all impregnated, intimately entwined with water particles, without any possible barrier or distance.In every work in the series, the images are bathed in an aquatic atmosphere, whether in the form of a cloud, a river, a sea, a pond, or a pool. Immersion means also disorientation, falling into an off-ground and gravity-less space, without landmarks or compass. Confusing or doubling the film’s linear temporality, these transient animations introduce a multiplicity of dimensions into the screen space, where the images circulate depth as much as in time. Without beginning, end or even significant event, the animation, so slow and ethereal, captivates, amazes the gaze, to better capsize it beyond the frame, outside of time...

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